quarta-feira, 31 de março de 2010

Joe Prichard & Gibraltar - Same (1974 US Hard Prog Psych)

A CAPA É MEIO ESTRANHA MAS TRATA-SE DE UMA EXCELENTE BANDA AMERICANA QUE FAZIAM UM SOM RECHEADO DE PIANO, FLAUTA E UM TRABALHO DE GUITARRA IMPETUOSA, ALIÁS, EMBALADO A DUAS GUITARRAS!! A BANDA LEMBRA OU SE INSPIRA NOS ACORDES VARIADOS A LA JIMI PAGE, EM ALGUMAS PARTES TEM O SAX BLUESEIRO TIPO CLIMAX BLUES BAND, TEM AINDA NA FAIXA 4 UMA FLAUTA A LA JETHRO TULL QUE DÁ UMA SENSAÇÃO BEM JAZZY E AÍ VAI POR MUITAS OUTRAS INFLUÊNCIAS!! POUCA INFORMAÇÕES SOBRE A BANDA A NÃO SER QUE VIERAM DO MISSOURI!! VENENO RARO E ALTAMENTE RECOMENDADO!!
Very little is known about Joe Prichard or his sidekicks, except that the band, which hailed from Missouri, drew its inspiration from influences far and wide, resulting in each of the 5 tracks being very different in character, ranging from the power chords and staccato guitar breaks of the Jimmy Page variety, to the throaty sax of 12-bar blues specialists Climax Blues Band as well as the guitars of ZZ Top. There’s even a 9-minute jam a la Jethro Tull or Traffic with flute and sax giving a decidedly jazzy feel to proceedings.

1.Blind Man 9:07Written and sung by Bass Player David Harmon
Lead Guitar - Vincent West
Drums - Norman Pelot
Piano and Organ - Joe Prichard
Vocal background - Pelot, Harmon, and Armstrong

2.Rose Petal Lady 7:08Traditional blues style
Written and sung by Steve Armstrong
Bass - Harmon Drums - Pelot Guitar - West
Piano and Sax - Joe Prichard

3.Reason to Be 5:37Vocal -Armstrong-bass-Harmon - Drums-Pelot
Guitar - West Moog Snythesizer - Prichard

4.The Machine Is Small Enough 10:02Written by Prichard
Vocal - inFormal-ill rehearsed chorus of 3
Serious musical jamming be Pelot and Harmon
Solos in order of appearance
Flute -Armstrong
Sax - Prichard
Guitar - West
Piano - Prichard
Flute again with some sax

5.August Apathy 1:19A short expression oF my Feelings in August.
Sax Moog, and Piano


http://www.mirrorcreator.com/files/4CCT4GNB/Joe_Prichard_-_Venenos.rar_links
or
http://www.mediafire.com/?32shjvl76og8ccy

terça-feira, 30 de março de 2010

REQUEST: Jards Macalé - Só Morto (Burning Night) (1970 Brazilian Rare MPB)

HIGH RARITY!! ALTÍSSIMA RARIDADE!!
RARIDADE PURA ESTE COMPACTO DUPLO DE JARDS MACALÉ!! QUEM ENCONTRAR ESSE E.P. POR AÍ EM ALGUM SÊBO OU ALGO PARECIDO, AGARRE-SE NELE, E CASO NÃO TENHA, ARRUME DINHEIRO E LEVA PRA CASA, POIS NÃO SE ARREPENDERÁ, VISTO QUE NÃO EXISTEM MAIS POR AÍ!! ESTE COMPACTO É UMA DAS MAIS PURAS RARIDADES BRASILEIRA!! ESTA REBELDIA CRIATIVA DE JARDS MACALÉ É MPB DA MELHOR QUALIDADE!!! UM FRASCO PEQUENO, MAS DE PODEROSO VENENO DA MPB SETENTISTA!!

Jards Anet da Silva, o Jards Macalé, nasceu no bairro da Tijuca (RJ) em 1943, rodeado de música. Do morro da Formiga vinha o batuque e de dentro de casa os foxes, modinhas e valsas que a mãe e o pai tocavam. Aos 8 anos de idade foi morar em Ipanema, onde descobriu o futebol de praia e ganhou o apelido de Macalé, em homenagem ao pior jogador do time do Botafogo naquela época. Pouco depois começou a aprender o violão pegando carona nas aulas de sua vizinha, Marilena.

Em 1959, formou seu primeiro grupo, o Dois no Balanço, ao lado do amigo Chiquinho Araújo. Em 1963, já influenciado pelo violão de João Gilberto, Macalé começou a compor, e, dois anos depois, iniciou a carreira profissional, substituindo Roberto Nascimento no violão junto ao Grupo Opinião. Em 1966 já fazia a direção musical do Recital de Maria Bethânia, no Rio. Acompanhou de perto o movimento pop dos Beatles e Jimi Hendrix e o surgimento do Tropicalismo, do qual participava apenas de discussões domésticas.

Em 1969, Jards Macalé gravou o seu primeiro compacto (Só Morto), que trazia a canção Gotham City, com a qual participou do IV Festival Internacional da Canção. Em 1971, viajou para Londres a convite de Caetano Veloso e fez vários shows pela Europa até retornar ao Brasil no ano seguinte. Alguns de seus principais parceiros são Waly Salomão, Capinam e Torquato Neto. Entre os intérpretes de suas músicas estão Maria Bethânia, Clara Nunes, Gal Costa, Elizeth Cardoso, Nara Leão e O Rappa.

1. Soluços
2. O crime
3. Só morto (Burning night)
4. Sem essa

domingo, 28 de março de 2010

Golem - Orion Awakes (1973 German Prog Psych)

DISCO ORIGINADO DE ARQUIVOS DA GRAVADORA PYRAMID RECORDS!! TRATA-SE DE UMA EXCELENTE BANDA ALEMÃ COM CINCO VENENASSOS INSTRUMENTAIS PODEROSOS E PIRANTES!! O SOM SOA COMO UM EPIC ROCK PSICODÉLICO, COM GRANDE QUANTIDADE DE ORGAN HAMMOND E JAMMING DE BATERIA E GUITARRA PESADA!! CADA FAIXA TEM SEU PRÓPRIO ESTILO, MAS ALGUMAS TEM UMA ATMOSFERA AS VEZES SOANDO COMO SPACE ROCK BLUESY, AS VEZES MAIS AVENTUREIRAS E PROGRESSIVAS, OUTRAS ALUCINÓGENAS E COM PITADAS DE JAZZ...ENFIM...É DISCO PRA ESCUTAR EM VOLUME ALTO E VIAJAR!! VENENO ALEMÃO RECOMENDADO!!

"Ecclectic, psychedelic epic rock with lot of Hammond organs, heavy drums and jamming guitars. Their album Orion Awakes (1973) belongs to Pyramid Records archives. Amazing, catchy improvised free spacey rockin' trip that can reminds the best efforts delivered by early Pink Floyd, Gila, Dies Irae, Jane."

"Surprising heavy kraut rockin' effort from Pyramid records. In this unique and explosive essay, Golem experiments dirty, fuzzy, obsessional improvisations largely dominated by killer guitar riffs, epic organs, hammering drums and subtle electronic manipulations. Not weird or cryptical, this album is almost an easy listening and can be considered as a legitimate recommendation for krautrock neophyts. Each track develops its own style, theme and atmosphere, sometimes sounding like an evident bluesy space rock (the opening tune), sometimes more adventurous and progressive, like in the hallucinogenic and jazzy electronic "Jupiter" or more heavy, in the freak 'n roll "the returning" with its crushing guitars and massive repetitive rhythm, almost funky and really electrified in the Hendrixian "Godhead Dance". Still fresh despite the years. To play loud."

- Willi Berghoff / guitars
- Manfred Hof / organ, Mellotron, synthesizers
- Mungo / bass
- Joachim Bohne /drums
- Rolf Föller / guitar

1.Orion Awakes(7:24)
2.Stellar Launch(7:36)
3.Godhead Dance(6:34)
a.Signal
b.Noise
c.Rebirth
4.Jup
iter&Beyond(14:25)
5.The Returning(6:33)

http://www.megaupload.com/?d=F0XXFX4K

quinta-feira, 25 de março de 2010

Live - Live (1971-1974 German Prog Rock)

HIGH RARITY!!
MAIS UM ALBUM DA COLEÇÃO "GARDEN OF DELIGHTS"!! EXCELENTE BANDA ALEMÃ FORMADA EM 1971 E QUE INICIALMENTE TINHA COMO INTEGRANTE O GUITARRISTA "MARTIN KNADEN" QUE DEPOIS SE BANDEOU PARA A BANDA CURLY CURVE!! APESAR DE TER ALGUNS ANOS DE ESTRADA A BANDA NÃO GRAVOU NENHUM DISCO DE ESTÚDIO, APENAS ESSE ALBUM EDITADO EM 1974 ONDE ENTROU UMA SELEÇÃO DE MUSICAS COLETADAS DAS SESSIONS TAPES, OU SEJA, FITAS DE SESSÕES DE ENSAIOS!! O ALBUM É MUITO LEGAL E MOSTRA UMA BANDA DE FUTURO SE LEVARMOS EM CONTA QUE AS MUSICAS FORAM RETIRADAS DE SESSIONS TAPES, O QUE DÁ EM CERTOS MOMENTOS UMA SONORIDADE DE GRAVAÇÃO UM POUCO GROTESCA E UM VOCAL ABAFADO!! MAS A MUSICA EM SI DOS CARAS LEMBRA UM POUCO AS BANDAS JANE E SATIN WHALE, MAS COM ALGUMAS PITADAS DE MUSICA CLÁSSICA!!

OBS: ESPECIFICAMENTE ESSA BANDA CONHECI RECENTEMENTE E ESCUTEI PELA PRIMEIRA VEZ O DISCO DOS CARAS ATRAVÉS DO BLOG "PHROCK" E DEPOIS, COMO SEMPRE FAÇO QUANDO GOSTO DAS BANDAS, ADQUIRI O DISCO ORIGINAL!! ALIÁS, É O QUE SUGIRO A TODOS QUE SE DELICIAM COM OS VENENOS!! SE GOSTOU COMPRE O ORIGINAL (DESDE QUE SE ACHE O VENENO PRA VENDA, O QUE NEM SEMPRE ACONTECE)!!
An obscure lightweight symphonic progressive of the Pancake and Jane type, typical of the mid-70'!!

Norbert Aufmhof - Flute
Gerd Schnidt - Bass
Jurgen Schimmel - Drums
Gerd Klein - Guitar

01.Peer Gynt (Live) - 7:07
02.Carol (Live) - 5:17
     http://youtu.be/51lzy4uETlg
03.Fly like a bird (Live) - 5:29
04.It was nice (Live) - 5:06
05.Dreaming (Live) - 7:54
06.Land of the blind - 7:15
07.Unknown soldier - 7:31
08.Jazz - 14:37

http://www.mediafire.com/?j6pqwbdbbetfz9m

or
http://www.mirrorcreator.com/files/19FA54RU/Live_-_VenenosdoRock.rar_links

Join In - Kentalope Island (1974 German Prog Rock Jazz)

ESSE VENENO É MAIS UMA REEDIÇÃO DO VENENOSO SELO "GARDEN OF DELIGHTS"!! BANDA ALEMÃ FORMADA EM 1968 QUE FAZIA UM PROG JAZZ ROCK REGADO A SAX MUITO LEGAL!! A BANDA NO INÍCIO TOCAVA BLUES ROCK, DEPOIS VIRIA A TOCAR HARD ROCK E MAIS TARDE MUDARIA DEFINITIVAMENTE PARA O PROG JAZZ ROCK GRAVANDO ENTÃO ESSE SEU ÚNICO E ÓTIMO ALBUM QUE NA VERDADE FICOU UMA FUZZION, ONDE KISTURARAM JAZZ COM SOFT ROCK PROGRESSIVO COM ALGUMAS JAMMINGS E UM TRABALHO INSTRUMENTAL MUITO BACANA MESMO!! VENENO ALEMÃO ALTAMENTE RECOMENDADO!!
They were founded in 1968 and changed their style of music quite often. They began with playing blues-rock, then changed to playing hard rock and ended up by playing jazz-rock in the seventies, each style containing progressive elements. Their only LP "Kentalope Island" was released in 1974 (Menga 3302).

Associates of Think, whose Ricky Ramor and Frank Voigt were amongst the many that passed through their ranks, Join In recorded their album at the same studio, with Eroc as engineer.KENTALOPE ISLAND is a pleasant record, with some slight Think references, but much more fusion, mixing jazzy musics with soft rock and prog elements typical of the era, comparable to many others: Guru Guru circa GLOBETROTTER, Cry Freedom, or Dutch acts like Alquin or Solution. For those that like such things, it's a good example of the genre, and all the better on the CD which includes some much stronger (if of not brilliant recording quality) material, where they live up to the band name much more, with some tasty jamming instrumental work.

- Werner Bleck (Bass),
- Udo Custodis (Saxophone),
- Edward "Eddy" Friedrich (Drums),
- Wilfried Jens (Keyboards, Guitar),
- Jörg Radeck (Guitar).

with:
* Udo Dobrzanski (bass),
* Walter Biermann (bass),
* Rodrigo Ramor (vocals),
* Joschka Balint (bass),
* Janosch Balint (piano),
* Ricky Ramor (bass),
* Frank Voigt (flute, vocals),
* Robert Schulte-Hemming (trumpet),
* Markus Budniok (keyboards),
* Udo Preckel (acoustic guitar),
* Wolfgang Baumann (saxophone),
* Jürgen "Karl" Struck (saxophone, vocals),
* Rick Schleicher (bass)

01. Illusions 6:37
02. Do it yourself 4:41
03. Dreams 3:00
04. Kentalope Island 6:44
05. Used to play 3:45
06. Fliwatüüt 3:45
07. Bridge Street 7:54
08. I wanna be a bird 4:40
09. Chicago train 5:04
10. Listen to the story 7:22
11. Airport entrance 7:49
12. Friday evening 3:31
13. Higher and higher 2:26
14. Circus 3:53

https://www.mediafire.com/?5p726dtmxxtaxdx

REQUEST: Mouzakis - Magic Tube (1971 USA Hard Garage Psych)

ÓTIMA BANDA GARAGEIRA QUE TINHA UMA SONORIDADE INCRÍVEL E QUE VALE A PENA CONFERIR!! VENENASSO!! SÓ PRA CITAR UMA: A FAIXA 4 É UMA PATADA NA NUCA E ONDE É NOTÓRIO O TALENTO DO TECLADISTA FRED DAWSON!! A FAIXA 7 É UMA BALADA PSYCH MUITO LEGAL!! A FAIXA 2 UM COVER DE "ROCK AROUND THE CLOCK" NUM RYTHM BLUES BEM EMBALADO E MUITO LEGAL!! HARD GARAGEIRO E PSICODÉLICO NUMA BOA COMBINAÇÃO!! ALTAMENTE RECOMENDADO!!

This is the collected works of East coast basement garage psych group Mouzakis : their full LP from 1971, a ralher expensive collector 's item, with their singles, including 4 unreleased tracks .from 1967, as well as some singles under lhe name Q( lheir previous band, The Fabulous Pharoahs, with 14 extra trac!es in addition.

The band started with R&B rock standards, adapted on its wtry bits Q( rock 'n roll, early rock, and stayed moslly rather on the edge with a more garage rock sound They learned songs like from Animais, and did a cover .from Blues Magoos. The co/lection Q( singles is like a quick browsing through some standard style influences of the time, while the vocal approach and directness keeps their approach, except for their latest tracks, often a bit raw and primitive, garage-like. * Groups of that time like The f~1lO, Animais and even the Rolling Stones very much liked to keep that rawness Q( garage alive in their more into the 70s directing rock expressions, also F abulous Pharoahs and Mouzakis fitted with that approach. Their LP however shows something extra. The tracks are a bit longer and especially the first two tracks show complex rhythm use in combination with their adapted R&B irifluence into rock territory. "Magic Tube " has a complex fast rhythm, (bass and drums) almost.fun~'Y in its bluesy rock way, while on top is slower bluesy singing, with rhythm guitar, creating a unique kind of complexity I have not heard elsewhere. "Rock Around the clock" with additional organ parts continues a bit in the same direction. Unfortunately not all tracks are recorded in very good conditions, making them sound more garage-like. Most other tracks sound more familiar than these openers, but they still sound more attractive and more convincing than the singles.

1. Magic Tube 07:28
2. Rock Around The Clock (Live) 02:31
3. White Horse 03:29
4. Love Everyday 03:57
5. Long Haired Bombardier 04:07
6. Party Ball 02:18
7. Lady 05:32
8. Both Do Fine 03:14

http://www.megaupload.com/?d=QR4K032X

terça-feira, 23 de março de 2010

Pink Floyd - Pinkie Milkie - 1967-94 Rare Bootleg

RAREST BOOTLEG WITH HIGH SOUND QUALITY!!
EXCELENTE E RARÍSSIMO BOOTLEG DO PINK FLOYD COM SOM DE ALTÍSSIMA QUALIDADE!!
ESSA COMPILAÇÃO SÃO DE VÁRIAS FASES DA BANDA EM GRAVAÇÕES RARAS E AO VIVO!! A QUALIDADE É EXCELENTE!! VENENO ALTAMENTE RECOMENDADO NÃO SÓ PARA OS FÃS DA BANDA MAS PARA TODOS QUE CURTEM UMA BOA VIAGEM PROGRESSIVA E PSICODÉLICA!! VALE A PENA!!


1. Arnold Layne (2:53)
This is the regular single version, in mono (it sounds exactly like the official "Early Singles" version). The stereo version can be found on "Relics". This track was recorded at Sound Techniques Studios, London, on 11-12 Jan 1967. The single was released on 11 Mar 1967.
Sound quality: Sup!

2. Candy And A Currant Bun (2:44)
("Candy And A Currant" on the tracklist) As above, this is the regular version, in mono, as it appears on the official "Pink Floyd Early Singles". This track was the B-side of the "Arnold Layne" single, and was recorded during the same sessions.
Sound quality: Sup!

3. Flaming (2:46)
("Flamming" on the tracklist) This is the alternate mix, as it appeared on the 3rd U.S. single, released on 5 Aug 1967, on Capitol's Tower label. This single was released on U.S. because this track didn't appear on the U.S. release of "The Piper At The Gates Of Dawn". The mix is not so different from the regular one, just a little bit rough, and with some background sounds mixed louder. It's mono. Quality, again, is the best you can find. There are no vinyl crackles, so I guess this must have been taken from the Westwood One CD sampler "A CD Full Of Secrets".
Sound quality: Sup

4. Scream Thy Last Scream (4:38)
This one is wonderful! The famous unreleased single appears here with the best sound quality ever. There's absolutely no tape hiss, no distortion, no background noise! Sound quality is better than on "Magnesium Proverbs", "Sights And Sounds Of Syd Barrett's Pink Floyd", "Early Singles"... If you want the definitive STLS version, get this CD. It was recorded on 9 Aug 1967, and it was planned to be the third U.K. single (w/ "Vegetable Man" as the B-side), but it was cancelled, so the third single (the last with Barrett) was finally "Apples And Oranges"/"Paintbox", released on 18 Nov 1967.
Sound quality: Sup!

5. Julia Dream (2:23)
Recorded on 25 June 1968 for BBC's "Top Gear", 201 Picadilly Studio 1 in London. Excellent quality, better than most of other "BBC sessions" RoIOs. The only RoIO I know with comparable sound quality is "Ultra Rare Trax Vol.1".
Sound quality: Ex+

6. Point Me At The Sky (3:31)
The booklet says this was taken from the same "Top Gear" session, but this is exactly the same version as the mono version that appears on the official "Pink Floyd Early Singles". Perfect sound quality, although I prefer the "stereo" version on the Westwood One CD sampler "A CD Full Of Secrets".
Sound quality: Sup!

7. Embryo (3:27)
Wrongly listed as from "Top Gear" 14 Jan 1970. It's in fact from the 2 Dec 1968 "Top Gear" session, Maida Vale Studio 4, London. Sound quality is OK, but not as good as for "Julia Dream".
Sound quality: Ex-

8. Atom Heart Mother (24:46)
This is the performance for the "Peel Sunday Concert" broadcast, recorded on 16 July 1970, at the BBC Paris Theatre, London. The date on the booklet is wrong (16 Sept 1970). This is the whole song, 24 minutes long, with the orchestra. Sound is excellent, but in MONO! In all the X-references I know, this broadcast is in stereo! It's a pity they didn't find the stereo source for this CD.
Sound quality: Sup-

9. Breathe (2:59)
The booklet says it's a demo version, dated 17 Feb 1970. It's WRONG. This is from one of the very first public performances of "The Dark Side Of The Moon". It was recorded in London, at the Rainbow Theatre, 17 Feb 1972. So the booklet at least had the right day and month! Excellent stereo (maybe soundboard). It sounds like a copy of version on the "Best Of Tour 1972" RoIO (Swinging Pig), with the very good NoNoise mastering.
Sound quality: Ex+

10. On The Run (6:21)
Same as for "Breathe". Booklet is wrong about the date and the source. This is from 17 Feb 1972. This version of OtR is the "jam" version, very different from the version on the official DSotM (released more than one year later!).
Sound quality: Ex+

11. Money (1:40)
This time, this is really a demo version. Roger Waters sings the lyrics, accompying himself on acoustic guitar. Very interesting, because it's very different from the final developpement of the song. There's no Gilmour, Wright or Mason here. It's obvious that this track was recorded months before the first public performances, since it's a very "minimal" version. I think the year could be 1971 (not 1972, as listed on the booklet). This is a mono recording.
Sound quality: Ex+

12. Pigs On The Wing (3:34)
Pt.I-II This is the complete studio version of this song, as the Floyd recorded it, in 1977. Between the first and second part, there's an electric guitar solo by Snowy White (he was the second guitarist on the "In the Flesh" tour). Unfortunately, they decided to cut this song in two parts for the album "Animals", and the beautiful middle part with Snowy White disappeared! The full version can only be found on the very rare 8-track release of "Animals". So here it is, in stereo, with some tape hiss (but not too annoying).
Sound quality: Sup!

13. Mother (6:45)
Taken from the film version of "The Wall". The song is very different from the album version. The sound is really superb, in stereo. I think they copied it directly from the LaserDisk.
Sound quality: Sup!

14. Empty Spaces / What Shall We Do Now? (4:36)
Listed as "Outside The Wall" on the booklet! This follows "Mother" on the film. "What Shall We Do Now" wasn't on the album version, but was played during "The Wall" shows.
Sound quality: Sup!

15. Wish You Were Here (5:00)
** NÃO CONSTA NO CD ORIGINAL!! CITAÇÃO APENAS NA CAPA!! ERRO ORIGINAL DE EDIÇÃO DO BOOTLEG!!

01. Arnold Layne - Jan 1967- 20 Oct 1994
02. Candy And A Currant Bun - 1967, 1st U.K. Single
03. Flaming - 1967, alternate mix, 3rd U.S. Single
04. Scream Thy Last Scream - 9 Aug 1967, withdrawn 3rd U.K. single
05. Julia Dream - 25 June 1968, BBC, 201 Picadilly Studio 1, London
06. Point Me At The Sky - 1968, 5th U.K. single
07. Embryo - 2 Dec 1968, BBC, Maida Vale Studio 4, London
08. Atom Heart Mother - 16 July 1970, BBC, Paris Theatre, London
09. Breathe - 17 Feb 1972, Rainbow Theatre, London
10. On The Run - 17 Feb 1972, Rainbow Theatre, London
11. Money - 1971, demo version
12. Pigs On The Wing (I & II) - 1977, Britannia Row Studios, complete version
13. Mother - 1982, The Wall (Film-versions)
14. Empty Spaces / What Shall We Do Now? - 1982, The Wall (Film-versions)
15. Wish You Were Here - 20 Oct 1994, Earls Court, London
**FAIXA NÃO INCLUSA NO CD ORIGINAL!!
**SÓ CITAÇÃO NA CAPA!! ERRO NA EDIÇÃO ORIGINAL DO BOOTLEG!!

Total Time: 73:05

http://www.megaupload.com/?d=2YJR07W3

segunda-feira, 22 de março de 2010

4th CEKCION - 4th Cekcion (1970 US Rock Psych Jazzy Bluesy)


RARIDADE MÁXIMA!!
MAXIMUM RARITY!!

BANDA OBSCURA DO TEXAS QUE FAZIA UM ROCK QUE SOAVA EM ALGUNSS MOMENTOS WEST COAST PSYCH E OUTRAS MAIS JAZZY COM PITADAS DE BLUES!! ANTES DE ADQUIRIR O ALBUM (COM MUITA DIFICULDADE) EU CONHECIA ESSA BANDA APENAS PELA CAPA ATRAVÉS DO LIVRO "HANS POKORA'S RECORD COLLECTOR DREAMS", O QUAL INDICO PRA TODOS QUE QUEIRAM SE APROFUNDAR NA OBSCURIDADE DOS ANOS 60 E 70!! HÁ POUCA INFORMAÇÃO SOBRE A HISTÓRIA DA BANDA ATÉ MESMO NA NET!! VENENO TEXANO RARO E RECOMENDADO!!

Obscure and rare Texas based horn rock outfit. Very Good!! Released by the small Bellaire, Texas-based Solar Recording Corporation, 1970's "4th Cekcion" was produced by Fred Carroll.


- Louie Broussard - percussion
- Richard Cantu - woodwinds
- Greg Isaacss - vocals, keyboards
- Mike St. Clair - bass
- Stewart Rojo - lead guitar
- Gary Weldon - brass

1) Changeable Woman - 4:07
2) Open Your Eyes - 3:33
3) With You Girl Blues - 4:47
4) I Don't Have To Hide My Face Anymore - 4:27
5) Betsy Lee - 3:15
6) How I Feel - 4:08
7) Find Yourself Another Way - 6:48

sábado, 20 de março de 2010

Chaparall Electric Sound (Hairy Chapter) - Electric Sound for Dancing (1969 Psychedelic Bluesy

RARIDADE!! RARITY!!
ESSA É NA VERDADE A PRÉ-HAIRY CHAPTER!! PODERÍAMOS CHAMAR DE ALBUM DE ESTRÉIA DA BANDA HAIRY CHAPTER QUANDO AINDA USAVAM O NOME DE CHAPARALL ELECTRIC SOUND!! EXCELENTE SOM PSYCH COM PITADAS DE BLUES!! POR VEZES LEMBRANDO HENDRIX COM FUZZY GUITAR WAH WAH E POR VEZES ACIDO E TINGIDO DE PSICODELIA PESADA!! UMA CURIOSIDADE QUE É QUE NA PRIMEIRA FAIXA "HALLUCINATION" QUANDO ABRE A MELODIA, E PRINCIPALMENTE O VOCAL, PARECE ESTARMOS ESCUTANDO A BANDA "THE WEST COAST POP ART EXPERIMENTAL BAND", MAS SOMENTE NA NESSA MUSICA, DEPOIS TUDO MUDA!! VENENASSO RARÍSSIMO E ALTAMENTE RECOMENDADO!!

Great psych with bluesy this German band who later became Hairy Chapter!! Sometimes great Hedrix-like fuzzy wah wah guitars, sometimes acid tingled heavy psych!! The Chaparall Electric Sund Inc. is german prog kraut rock band. Excellent sound with bluesy feeling, sometimes with some hard psych prog influences and strong vocal!!

A1 Hallucination 4:21
A2 Love 3:51
A3 Cry'n 4:07
A4 Chatter 1:21
A5 Speaking My Mind 1:26
B1 Blues for Rosa 3:35
B2 Nightmares 4:30
B3 Flirtions 3:30
B4 Pray for Peace 3:32

http://www.megaupload.com/?d=DNEMBPEA

REPOST: Black Spirit - Black Spirit ( 1978 German Hard Rock Psych Bluesy)

ESTA BANDA, APESAR DE SER ALEMÃ, OS COMPONENTES ERAM ITALIANOS RADICADOS NA ALEMANHA!! DISCO RARÍSSIMO QUE FOI DISTRUIBUÍDO PARA POUCOS FELIZARDOS, OU SEJA, DISTRIBUIÇÃO PRIVADA PARA POUCOS!! O SOM LEMBRA É NITIDAMENTE INFLUENCIADO POR BANDAS COMO LED ZEPPELIN...BLACK SABBATH E OUTRAS DO GÊNERO HARD SETENTISTA, PORÉM COM PITADAS PSICODÉLICAS E BLUESY!! O SOM DOS CARAS É UMA MISTURA DE IMPROVISAÇÕES KRAUTROCK COM HARD ROCK, GUITARRAS GARAGEIRAS, TECLADOS DISCRETOS QUE DÃO O CLIMA PSICODÉLICO E UM VOCAL FORTE!!

"CRAZY TIMES" COMEÇA COMO UM HARD BÁSICO E PROGRESSIVAMENTE ENTRA NUMA SESSÃO FURIOSA PSYCHEDELIC BLUES ROCK!! AS DUAS FAIXAS SEGUINTES "PUNK ROCK N ROLL" E "NICOLINO" SÃO ULTRA FUZZY GARAGE HARD ROCK!! "OLD TIMES" FECHA O ALBUM COM UMA IMPROVISAÇÃOBLUES ROCK COM SEQUENCIAS DE GUITARRA FUZZ GRITANDO A MIL, SENDO QUE NOS ULTIMOS MINUTOS ENTRAM UMA DOSE GRANDE E EMOCIONAL DE ORGAN MOODY!! VENENO ITALO-ALEMÃO RARO E QUE CERTAMENTE FAZ A CABEÇA DE QUEM GOSTA DE UM BOM HARD-PYSCH-BLUESY SETENTISTA DO GÊNERO!!


Black Spirit is an italian band formed in 1970. After a few successfully live performances the band moves to Germany in order to sign their first release on Brutkasten (1978). Lately, this ultra rare effort has been re-issued Ohrwaschl. The band essentialy played in Germany until 1978. Musically speaking their sound is rather different than the lyrical and luminous italian prog rock. It is bluesy-hard-rockin music with discreet proggy tendances and krauty-psych sounding. The album was housed in a gatefold cover and is now very hard to find and expensive, it was pressed in 1500 copies. A vinyl reissue came out on the English Kissing Spell label in 1994, with a single cover with different design. The only reissue still available today is on CD, by the German label Ohrwaschl.

Salvatore Curto (keyboards, vocals)
Nicola Ceravolo (guitar)
Giovanni Granato (bass)
Gianni Piras (drums)

01. Crazy Times - 8.28
02. Punk Rock' Roll - 6.32
03. Nicolino - 7.29
04. Who Are You - 2.41
05. Old Times - 12.13

http://www.megaupload.com/?d=G0H6MY2D

quinta-feira, 18 de março de 2010

Eulenspygel - Ausschuss (1972 German Prog Rock Jaz Fuzzion)

SEGUNDO ALBUM DESSA EXCELENTE BANDA ALEMÃ!! ALGUMA INFORMAÇÃO ADICIONAL TÁ NA POSTAGEM LOGO ABAIXO!! VENENO ALEMÃO RARÍSSIMO E RECOMENDADO!!

"Formado em 1971 com o nome de ROYAL SERVANTS, Eulenspygel foi uma das bandas pioneiras a escrever suas canções e cantar no idioma alemão, com suas letras constantemente analisando e criticando os inúmeros aspectos negativos da nossa sociedade doente. Seu primeiro LP foi "Eulenspygel 2" que tá postado logo abaixo. Esse é segundo LP da banda e foi gravado no estúdio dos Beatles, Apple, em Londres. Em 1994, foi ilegalmente lançado em CD no rótulo Luxembourg Germanofon. A liberação legal do que é esse do selo GARDEN OF DELIGHTS apresenta um livreto e sete faixas bônus. As três primeiras foram transmitidos no canal de televisão alemão ARD (Südfunk Stuttgart) em 1972 e foram tomadas a partir da fita master (master tape). As últimos quatro faixas são demos e inéditas.
Formed in 1971 as the Royal Servants’ successor, Eulenspygel were one of the very first bands to write their songs in German language, with their lyrics constantly analyzing and criticizing the numerous fishy aspects of our ill society. It’s a bit confusing that their first LP was called "Eulenspygel 2" but this is because they counted the one released by the Royal Servants. Their second LP "Ausschuß" was recorded in the Beatles’ Apple Studio in London. In 1994, it was illegally released on CD on the Luxembourg Germanofon label but sloppily presented. The legal release on Garden of Delights features a coloured booklet of 32 pages and seven bonus tracks. The first three of them were broadcast on the German ARD TV channel (Südfunk Stuttgart) in 1972 and have been taken from the station’s master tape. The last four tracks are unreleased demos.

Its line-up is:
- Detlev Nottrodt / guitar, vocals
- James Thurow / guitar, violin, Mellotron, sitar
- Cornelius Hauptmann / flute, alto sax
- Karl Heinz Großhans / organ, synth
- Ronnie Libal / bass
- Rainer 'Mulo' Maulbetsch / vocals
- Günter Klinger / drums, percussion
- Peter Weber / bass (10-13)
- Tilmann Fuchs / guitar (7-13)
- Martin Gnädinger / keyboards (10-13)
- Wolfgang Haisch / drums (10-13)
- Benno Schrader / saxophone, flute (7-13)

01. Abfall (22:17)
02. Menschenmacher (2:57)
03. Teufelskreis (6:50)
04. Herzliches Beileid (2:55)
05. Der Fremde (5:45)
06. Untertanenfabrik (3:55)
07. Sechs Uhr Aufstehen (Bonus) (2:08)
08. Junge, Was Willste Draußen (Bonus) (2:42)
09. Mich Kotzt Hier Alles An (Bonus) (2:18)
10. Schlafstadt (Bonus) (3:56)
11. Kinderlied (Bonus) (4:28)
12. Freut Euch, Kinder (Bonus) (2:51)
13. Zusammenstehen (Bonus) (6:22)

https://www.mediafire.com/?u24s0774pmv63lh

Eulenspygel - Eulenspygel 2 (1971 German Prog Rock Jazz Fusion)

EXCELENTE BANDA ALEMÃ CUJOS DISCOS ORIGINAIS SÃO MUITO RAROS!! ESSA BANDA FOI FORMADA EM 1971 COM O NOME DE "ROYAL SERVANTS" E COM ESSE NOME GRAVARAM UM ALBUM QUE JÁ FOI POSTADO RECENTEMENTE AQUI NO BLOG!! OS CARAS ERAM DOIDÕES ENVENENADOS (A CAPA JÁ DIZ ISSO) E MISTURAVAM COM MUITA COMPETÊNCIA E INTELIGÊNCIA UMA FUZZION DE PROGRESSIVO, ROCK E JAZZ!! TUDO REGADO A ORGAN, BAIXO PESADO, SOBREPOSIÇÕES DE GUITARRAS E VOCAIS CARREGADOS CANTADOS EM ALEMÃO, SENDO UMA DAS PRIMEIRAS BANDAS ALEMÃS A ESCREVER E CANTAR NA LINGUA DE ORIGEM SEMPRE CRITICANDO A SOCIEDADE E SUAS DEFORMAÇÕES!! AQUI ESTÁ CERTAMENTE UMA DAS GRANDES BANDAS DO KRAUTROCK ALEMÃO!! MAIS UMA REEDIÇÃO DO SELO GARDEN OF DELIGHTS E COMO SEMPRE QUANDO É DELES TRATA-SE DE UM VENENO RECOMENDADO!!

Here is an absolutely killer 70’s German underground recording you must hear…..wow how come this album is so darn hard to hunt down? Eulenspygel were a wild bunch of music freaks who recorded a fantastic couple of albums with their second in review here. Eulenspygel carried that certain underground German 70’s vibe with homemade organ grinds, heavy bass and guitar overlays with heavier vocals, but wow is this album superb. With careful mix of jazz, fusion, prog and rock this album were pretty cleverly arranged and mixed with great imagination, color and tempo shifts. All vocals are sung in German and are done so with great conviction and I understand they are singing about anti-war themes. Fans of Krautrock will need to have this album in their collection….
Matthias Thurow - guitars, violin
Cornelius Hauptmann - flute
Ronnie Libal - bass
Detlev Nottrodt - guitars, vocals
Günter Klinger - drums
Rainer 'Mulo' Maulbetsch - vocals, harmonica
Karl Heinz Grosshans - organ, vocals

01. Till 3:45
02. Son My (My Lay) 11:14
03. Konsumgewäsche 4:03
04 .Staub auf Deinem Haar 7:58
05. Die Wunde bleibt 1:58
06. Das Lied vom Ende 10:15

https://www.mediafire.com/?fxl3lxd258d2fxx

quarta-feira, 17 de março de 2010

REQUEST: Grannie - Grannie (1971 UK Prog Rock Psych)

RARÍSSIMO ALBUM DESTA ÓTIMA BANDA INGLESA QUE FAZIA UM SOM REGADO A UM BOM ORGAN HAMMOND E VOCAIS FEMININOS PODEROSOS!! SE TIVESSE QUE FAZER UMA COMPARAÇÃO, DIRIA QUE O SOM LEMBRA, APENAS LEMBRA, AS BANDAS GRAVY TRAIN, CLEAR BLUE SKY E RAW MATERIAL!! POUCA INFORMAÇÃO SOBRE A BANDA NO ALBUM E NA NET!! BOM E RARÍSSIMO VENENO ALTAMENTE RECOMENDADO!!

This is one of these mega-rare privately-pressed albums which originally only appeared in demo form with just a handful of copies being available in a home-made paste-on sleeve. The musical menu is guitar-dominated heavy progressive rock but with sufficient melody to make it worth a listen. It contains six cuts in all with Coloured Armageddon Leaving, the punchy Saga Of A Sad Jester and Leaving, which had some melodic guitar work, the pick of the bunch. Reissue of 1971 private release by this short lived UK band. Nothing more is known about the band itself. The album is filled with heavy guitar riffs, pounding drums and some psychedlic touches. In the vein of that typical 70s british rock sound of bands like Gravy Train, Clear Blue Sky and Raw Material.(from progarchives.com)

1. Leaving (6:29)
2. Romany Return (4:06)
3. Tomorrow Today (7:04)
4. Saga of The Sad Jester (4:30)
5. Dawn (5:05)
6. Colorued Armageddon (9:16)

http://www.megaupload.com/?d=QKOH6CVP

domingo, 14 de março de 2010

Soup - Soup (1968 US Psych Blues Hard Rock)

BANDA AMERICANA MUITOI LEGAL QUE FAZIA UM MIX DE PSICODELIA, BLUES E HARD ROCK COM ALGUMAS PITADAS DE JAZZ E COUNTRY!! VENENO RECOMENDADO!!

Excellent mix of psych, blues and hard-rock, with some jazz and country rock influences!!

Doug Yankus (vocals, guitar)
Dave Faas (vocals, bass)
Rob Griffith (vocals, drums)
Jim Peterman (keyboards)

quinta-feira, 11 de março de 2010

Noir - We Had To Left You Have It (1971 UK Prog Psych)


VENENO DO BOM E RARÍSSIMO!!
POISON EXCELLENT AND VERY RARE!!
NOIR ERA UMA EXCELENTE BANDA INGLESA QUE LANÇOU APENAS ESSE ÓTIMO ALBUM PELO SELO PYE DOWN COM CARACTERISTICAS PROGRESIVAS E PSICODÉLICAS, COM UM TRABALHO DE GUITARRA BEM LEGAL!! NA ÉPOCA DE SEU LANÇAMENTO O DISCO TEVE UMA EDIÇÃO BEM LIMITADA E POR ISSO HOJE É PEÇA DE COLECIONADOR!! RARÍSSIMO E EXCELENTE VENENO INGLES!! ALTAMENTE RECOMENDADO!!

Exceptional guitar work features throughout this low key and very obscure 70's album. Progressive album which does contain some good guitar work and is long on playing time.


Tony Cole - Keyboards
Barry Forde - Drums & Vocals
Gordon Hunte - Guitars & Vocals
Roy Williams - Bass

01. Rain
02. Hard Labour
03. Beggar Man
04. In Memory Of Lady X
05. How Long
06. The System
07. Indian Rope Man
08. Ju Ju Man

or

quarta-feira, 10 de março de 2010

8 Days In April - The Hamburg Scene (1972 German Prog Rock)

VENENASSO!! A BANDA 8 DAYS IN APRIL É UMA BANDA ALEMÃ DE ROCK PROGRESSIVO E TINHA UMA ESTREITA RELAÇÃO COM OUTRA BANDA FAMOSA DA ALEMANHA CHAMADA FRUMPY, POIS TEM NA SUA FORMAÇÃO A VOCALISTA INGA RUMPF E O TECLADISTA JEAN JAQUES KRAVETZ, QUE FORAM POR MUITO TEMPO VOCALISTA E TECLADISTA NA BANDA FRUMPY E ATLANTIS!! A BANDA FAZIA UM ROCK PROGRESSIVO CLÁSSICO DE PRIMEIRÍSSIMA LINHA, COM ÊNFASE A BELOS SOLOS DE GUITARRA E SINTETIZADORES NERVOSOS COMANDADOS PELO COMPETENTÍSSIMO KRAVETZ E AINDA PELO BELÍSSIMO VOCAL DE INGA NA PRIMEIRA FAIXA!! NO RESTANTE DO ALBUM O BATERISTA UDO LINDERBERG ASSUME OS VOCAIS!! SOM EXPONTÂNEO E COM ALGUMAS IMPROVISAÇÕES NADA CANSATIVAS!! VENENO ALEMÃO ALTAMENTE RECOMENDADO!!

OLHA SÓ O TIMAÇO:
Udo Lindenberg (vocal, bateria, percussão), Jean-Jacques Kravetz (órgão, piano, sintetizadores, percussão), Steffi Stephan (baixo), Thomas Kretzschmer (guitarras), Inga Rumpf (vocal) e Roger Hook (guitarras, violão, viola).

This is a pretty unknown and uncommon band, despite its close relation with FRUMPY, which is a prog rock dream ensemble. It fits quite well, on the other hand, the scene of (hard) rock – having, in this case, the German authentic spark with several general and minimal influences – a musical scene which is rarely recognized or valued outside the obscure margins of its period. 8 DAYS IN APRIL's music is perfect for the taste in interesting or laid-back rock, since the album is also a mix of artistic and energized play, plus it’s close to a collection meritous item, up in progressive rock's classic, hard or eclectic mentions.

The project was at first solo music practiced by Jean Jacques Kravetz, long-time keyboardist and rock in FRUMPY. Eventually though, 8 DAYS IN APRIL became a band of four core members and two special guests. Udo Lindenberg was second in importance next to Kravetz, writing and singing the vocals, plus composing much of the music. Steffi Stephan, playing bass, and Thomas Kretzschmer, playing guitars (with, sometimes, an astonishing freshness), joined the musicianship. The piece "I'd Like To Be A Child Again", though presumptively the most shining piece in the album, is mainly arranged by vocalist Inga Rumpf, also notorious in some of FRUMPY's experiences. Originally called "Kravetz" (given the promoter), the band finally adopted the name 8 DAYS IN APRIL, and their 1972 album was tag-titled The Hamburg Scene. Both names can be considered suggestive, since the ensemble recorded in Hamburg, and the album was, most likely, an 8 days rock work.

The Hamburg Scene smashes a lot of hard classic rock mints, but also has a prog rock definite taste. Close to being purely (and purifying) instrumental, much of the music's contrasts evolve from lyrical and euphonic passages to striking and overly produced climaxes. 8 DAYS IN APRIL clearly play a blending rock of artistic and popular forms, with smaller influences of fuzzy rhythms, jazzy branding or complex emotions and frets.The entire concept, project and music relief of 8 DAYS IN APRIL is definitely of a bit spontaneous kind, nevertheless its improvisation is worthwhile, since it's a good and recommend prog rock band, up the rarity shelve.

terça-feira, 9 de março de 2010

Dry Ice - Mary's Meth Dream (1967-1969 US Psychedelic)

DISCO EXTREMAMENTE RARO!!
EXTREMELY RARE!!
POSTAGEM RIPADA DE LP E COM QUALIDADE!! DISCO COM UMA ÓTIMA SONORIDADE PSICODÉLICA COM ALGUNS TOQUES LEVES DE POP, GARAGEIRO E ÁCIDO!! O DESTAQUE JÁ COMEÇA PELO ASPECTO FÍSICO, VISTO QUE A EDIÇÃO DO LP FOI LIMITADA A APENAS 300 CÓPIAS PRENSADAS EM VINIL BRANCO E COM CAPA DE 200g!! JÁ SOBRE A MÚSICA, AS 14 FAIXAS FORAM GRAVADAS ENTRE 1967 E 1969 E NO GERAL AS MÚSICAS SÃO MUITO BOAS, A QUALIDADE DELAS TAMBÉM!! NA VERDADE É PSICODELIA SEM MUITA VIAGEM E COM CANÇÕES MUITO BOAS E AGRADÁVEIS!! SE VOCÊ GOSTA DE BOA PSICODELIA DOS ANOS 60 AO ESTILO PARECIDO COM BANDAS COMO JULY E KALEIDOSCOPE ESSE É UM VENENO ALTAMENTE RECOMENDADO TANTO PELA RARIDADE COMO PELA BOA MÚSICA!!

Good pop-psych stuff from Massachusetts, with an almost (but not quite) UK sound like July or Kaleidoscope (UK).Pretty sweet pop-psych originals, some covers and some garagey stuff. I think one of them went on to be in angel. unreleased originally, acid archives compares it to july and that isn't too far off, but you know AMERICAN. "Mary is alone" could've been the ending theme for an awesome drug scare film, "mary is alone and wants to live but all she sees is death/mary is alone and wants to live but all she sees is meth..."
~ by: GOTT PUNCH II HAWKWINDZ.
---------------
OK, first the physical aspect, the packaging. A limited and numbered edition of 300. Pressed on white vinyl and housed in a thick card cover with b/w pasted on sleeve designs. It looks and 'feels' like a classic '70s great white wonder, both nostalgic and splendid! So what about the music? The fourteen tracks were recorded between 1967-69 '…at Fleetwood and some other forgotten studio in Malden…' (and that's not in Surrey!) and may or may not represent the entire output of the legendary US psychsters. Dry Ice's rep hangs on two genre defining moments in the form of 'Mary Is Alone' ('Mary is alone and wants to live but all she sees is death, Mary is alone and wants to live but all she sees is meth' - hence the LP title) and 'Mr Sawyer'. Both these are present and correct, in fact in 'Mary's' case it is over-present, there are three takes included. The third, which is the final track on side 2, seems to be a mix and match of the other two to demonstrate how they differ (i.e. one is the released version, the other a demo). Mr Sawyer, a great US styled popsiker has just the one appearance whilst other originals (all written by band member John Tata) 'Ocean' and 'Sunny Day' appear twice each (see if you can hear a difference). Both these numbers have a strong affinity to Mr Sawyer's lightweight psych rock approach and are highly enjoyable. Then there is the cover of Sonny Boy Williams II's 'Eyesight To The Blind', which is neither a straight copy or a dreary blues rock dirge. It's short and sweet but reinvents the song in suitably lysergic tones. 'Let's Go Down' is a quiet and introspective number that makes you want to "shhh" other people in the room. Other covers are less adventurous and will have as much (or more) appeal to garage heads as to anyone else. 'I Saw Her Standing There', 'Oh Darling', 'Lucy Mae' and 'Sweet Little Sue' are all nicely fluid renditions with acid blues guitar breaks but which don't outstay their welcome and which as complete numbers have a distinct late era garage feel. Probably these are a taste of what comprised their usual live set. Overall the sound quality is good and as a whole the package represents a genuine (most of these recordings have not been issued before) and (a warmly welcomed) old-world type of collector's piece. If you're a vinyl sentimentalist or a US 60s psych/rock fan, this is something you're going to want. ~ by: Paul Martin, Shindig Magazine.

01. Mary Is Alone. 1:56
02. Ocean. 3:29
03. Sunny Day. 3:20
04. Mr. Sawyer. 3:11
05. Eyesight to the Blind. 2:23
06. I Saw Her Standing There. 3:16
07. Let's Go Down. 2:38
08. Mary Is Alone. 2:39
09. Oh Darling. 3:36
10. Lucy Mae. 2:26
11. Sweet Little Sue. 2:11
12. Sunny Day. 2:45
13. Ocean. 3:22
14. Mary Is Alone. 3:56

NO FULL COVER!! ONLY SMALL FRONT!!
http://www.megaupload.com/?d=MX7G3JTN

segunda-feira, 8 de março de 2010

Skydog - Just Want To Make You Happy (1974 US Hard Prog Psych)

EXCELENTE E OBSCURA BANDA AMERICANA CUJO DISCO TEM UMA SONORIDADE DO ROCK PSICODÉLICO DO FINAL DOS ANOS 60 E INÍCIO DOS 70!! GUITARRAS ACIDAS E PSICODÉLICAS COM ARRANJOS PROGRESSIVOS MISTURADOS AO PROTO-HARD ROCK E VERDADEIRAS ORGIAS ENTRE GUITARRAS PESADAS E O ORGAN HAMMOND!! TAMBÉM SE ENCONTRA NO DISCO ALGUMAS MELODIAS COM PITADAS ORIENTAIS!! A PRODUÇÃO E A GRAVAÇÃO É SEMI-PROFISSIONAL E O DISCO FOI GRAVADO NA CASA DE UM DOS COMPONENTES CAPTURADO EM VÁRIAS JAM SESSIONS E A PARTIR DA PRÓPRIA FITA MASTER DO LP, O QUE DÁ UMA BOA DOSE DE EXPONTANEIDADE E AUTENTICIDADE AO SOM DOS CARAS!! ÓTIMO, RARO E RECOMENDADO VENENO!! HÁ DE SE PERGUNTAR PORQUE ESSES CARAS NÃO FIZERAM SUCESSO!!

"First re-release ever taken from the master tapes of this insanely rare LP from Georgia made in 1974 in an edition of 100. Wild & psychotic hippie progressive rock mixed with incredible heavy fuzz psychedelic jammers. Monstrous orgies between the guitar and Hammond organ and you can also find heavy eastern tunes woven in the long guitars jams."

Michael Sweat - Guitar - Vocal
Tommy Gordon Landsahw - Vocal, Rythm Guitar
Gary Elmore - Bass
Jimi Hughes - Organ Hammond
Johnny Parish Landshaw - Drum

01. Luck In Your Life 10:40
02. North Georgia Carnival Blues 05:37
03. Ali Sahd 07:02
04. Just Want to Make You Happy 09:46
05. Innocent-Eyed Lady 12:37
06. Israeli-Arabic Sun 5:55
07. Ali Sahd (Alt. Version) 6:32
08. Just Want To Make You Happy (Alt. Version) 8:58
09. The Mood Is On 6:03

http://www.megaupload.com/?d=WGUV76M5

sábado, 6 de março de 2010

REQUEST: Led Zeppelin - A Tributed to Johnny Kidd 1973 + Additional Songs

DISCO EXTREMAMENTE RARO COM LED ZEPPELIN INTERPRETANDO CANÇÕES DE JOHNNY KIDD & THE PIRATES MAIS ALGUMAS OUTRAS CANÇÕES DOS ANOS 50 E AINDA ALGUMAS VERSÕES DE MUSICAS QUE APARECERIAM MAIS TARDE NO DISCO PHYSICAL GRAFFITI!! UM BOOTLEG ZEPELIANO DE ÓTIMA QUALIDADE, RARÍSSIMO E EXTREMAMENTE RECOMENDADO!!
FULL COVERS AND 320Kbps HIGH QUALITY!!

Similar to the Chicago Soundcheck but with 9 more songs from 1970 included. Led Zeppelin play a number 50's rock and roll songs (with mixed success), and some rough versions of songs that would later appear on Physical Graffiti.

1 School Days
2 Nadine
3 Round And Round
4 Move On Down The Line
5 Love Me Like A Hurricane
6 Move It
7 Dynamite
8 Shakin' All Over
9 Hungry For Love
10 I'll Never Get Over You
11 Reelin' And Rockin'
12 Snowdonia
13 Tales From The Riverside
14 Dazed That Used To Be
15 Bert Jansch
16 In The Beechwoods
17 Friends
18 Wind In The Willows
19 Golden Breast
20 Who Remembers Davey Graham?
21 Strawberry Jam #1
22 Strawberry Jam #2
23 The Wanton Song
24 The Rover #1
25 The Rover #2
26 Night Flight #1
27 Night Flight #2
28 Night Flight #3

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sexta-feira, 5 de março de 2010

Black Sheep - Black Sheep (1975 US Hard Soft Rock)

BANDA DO VOCALISTA "LOU GRAMM" QUE UM ANO DEPOIS DEPOIS VIRIA A FORMAR E SER O FAMOSO VOCALISTA DA BANDA FOREIGNER!! COM BASE NO HARD ROCK SETENTISTA, COM LEVES PITADAS DE BLUES ROCK E ALGUMAS BALADAS!! LOU GRAMM É O CARA DE VOCAIS FORTES QUE NOS LEMBRAM MARK FARNER DO GRAND FUNK RAILLROAD!! NA VERDADE A BLACK SHEEP É A PRÉ-FOREIGNER E FAZIA UM HARD ROCK MAIS LIGHT E COM BOAS BALADAS!!

BANDA THE SINGER "LOU GRAMM" THAT ONE YEAR LATER WOULD FORM AND BE THE FAMOUS SINGER OF FOREIGNER!!

01. Payin Yer Dues
02. Broken Promises
03. Woman Back Home
04. Piano Prelude
05. Let Me Stay
06. Power To Heal
07. Far Side Of The Sun
08. Little Or A Lot
09. Freight Train
10. Woman

http://www.megaupload.com/?d=P4HRUUER

quinta-feira, 4 de março de 2010

REPOST: The Seeds - Travel With Your Mind 1965-1967

UMA DAS MAIORES E MELHORES BANDAS GARAGEIRAS PSICODÉLICAS DOS ANOS 60 E DA ERA FLOWER POWER!! ESTA É UMA RARA COMPILAÇÃO QUE ABRANGE O PERÍODO DE 1965 A 1967!! ESCUTEM A FAIXA Nº 13 "900 MILLION PEOPLE DAILY ALL MAKING LOVE" OU NUMA TRADUÇÃO BARATA "900 MILHÕES DE PESSOAS FAZEM AMOR DIARIAMENTE" E SINTAM O SUPRA SUMO DA PSICODELIA!! DÊ TAMBÉM UMA ESPIADINHA NA FAIXA Nº 7 "THE OTHER PLACE" E SINTA A ENERGIA GARAGEIRA DOS CARAS!! ENFIM...DESCUBRA ESTA OBRA MUSICA A MUSICA!! JÁ HAVIA POSTADO ANTERIORMENTE DOIS OUTROS ALBUNS DESTA EXCELENTE BANDA LIDERADA PELO GRANDE SKY SAXON!! EU PARTICULARMENTE ACHO ESTA UMA DAS MELHORES BANDAS DO GÊNERO E UMA DAS MINHAS FAVORITAS DA QUAL TENHO TODA A DISCOGRAFIA EM VINIL E CD!! VENENO PURO E ALTAMENTE RECOMENDADO!!

Well assembled twenty song compilation of the Seed's repertoire in their 1965-67 era.Believe they disbanded in 1970.This is one of those lesser known garage/psych bands that true fans of such can never truly completely let go of.Some of the cuts here I thoroughly enjoyed were the two versions of their sole hit "Pushin' Too Hard","Satisfy You","Pretty Girl",the heavy psych "Chocolate River","900 Million People Daily"(great fuzz guitar)and "Nobody Spoil My Fun". A should-have.

Rick Andridge - Drums
Sky Saxon - Vocals
Jan Savage - Lead Guitar
Daryl Hooper - Keyboard, Guitar and Vocal

1. Satisfy You
2. Wind Blows Your Hair, The
3. Pretty Girl
4. Chocolate River
5. Out of the Question
6. March of the Flower Children
7. Other Place, The
8. Fallin' Off the Edge (Of My Mind)
9. Travel With Your Mind
10. Flower Lady and Her Assistant
11. Daisy Mae
12. Pushin' Too Hard - (rehearsal)
13. 900 Million People Daily All Making Love
14. Thousand Shadows, A - (new mix)
15. Nobody Spoil My Fun
16. Wild Blood
17. Now a Man
18. Sad and Alone
19. Fallin'
20. Pushin' Too Hard - (original)

http://www.megaupload.com/?d=T9MZH9WE

Christmas - First & Live (1970 Canadian Psych Rock)

EXCELENTE BANDA CANADENSE QUE GRAVOU O SEU ALBUM DE FORMA INDEPENDENTE E COM UM SOM MUITO LEGAL!! AQUI TEM O PRIMEIRO ALBUM MAIS GRAVAÇÕES AO VIVO INÉDITAS!! PSICODELIA DA BOA E TRANQUILA!! DARIA PRA DIZER QUE É UM PSICODELISMO MAIS SOFT COM EXCELENTES CANÇÕES E BELAS MELODIAS!! A PRIMEIRA FAIXA "JUST SUPPOSE" É UMA OBRA E JÁ DIZ AO QUE VEIO O DISCO!! VENENO RARÍSSIMO E ALTAMENTE RECOMENDADO PARA QUEM GOSTA DO ESTILO!!

Christmas was formed in 1969 in Oshawa, Ontario, Canada, out of the ashes of the cult underground psychedelic band Reign Ghost. In July 1970, Christmas released an independent self-titled debut that brought some media attention to the band and a contract with the Daffodil Records label. In December 1970, less than six months after the release of the debut, Christmas released their second album entitled "Heritage". Christmas was comprised of vocalist and multi-instrumentalist Bob Bryden, bass Tyler Raizenne, drummer Rich Richter, and Robert Bulger on guitars, all of whom were still in their teens. The album gathered good reviews and was well received by critics but it was not commercially viable because the long songs and the heavy rock progressive style. It became an instant favorite in the underground music scene.

quarta-feira, 3 de março de 2010

Sand - Golem (1974 German Psychedelic Rock)

OBSCURO ALBUM E OBSCURA BANDA ALEMÃ QUE FAZIA UM SOM PSICODÉLICO ALTAMENTE PIRADO, APOCALIPTICO E VIAJANTE!! O CLIMA É SOMBRIO!! POR VEZES LEMBRANDO A BANDA CAN E NAS PITADAS FOLKS LEMBRANDO PEARLS BEFOR SWINE!! UMA VERDADEIRA VIAGEM!! VENENO COM EFEITO ALUCINÓGENO E QUE DEVE SER CONSUMIDO COM MODERAÇÃO!!

Os Sand são uma das singularidades discográficas dos anos 70, com um álbum de originais gravado em 1974, que possivelmente teria caído na completa obscuridade não o fosse David Tibet (Current 93) ter desenterrado da colecção privada de Steven Stapleton (Nurse With Wound). Originalmente apelidados de Part of Time, os Sand provêm da pequena cidade de Bodenwerder, no noroeste da Alemanha, e em 1970 eram compostos por Hannes Vester, pelos irmãos Papenberg, e por um par de outros músicos cuja identidade permanece desconhecida. Passado pouco tempo mudam-se para Colónia, onde encetam contactos com alguns membros dos Can e conhecem Klaus Schulze, que viria a ser determinante na sua breve carreira. 1972 constitui o ano das grandes mudanças. Vester viaja para Berlim com o objectivo de estudar psicologia, Ludwig e Ulrich Papenberg seguem as suas passadas, e é assim, na forma de um trio, que nascem oficialmente os Sand. Na capital alemã são expostos à cena musical experimental florescente bem como aos ideais políticos revolucionários em voga. Klaus Schulze, que por essa altura desenvolvia uma técnica de gravação inovadora, o Artificial Head Stereo Sound, em parceria com o engenheiro Manfred Schunke, e que mimetizava os efeitos surround dos sistemas de cinema caseiro actualmente omnipresentes, convida os Sand a gravarem um disco para “publicitar” este mecanismo.

O álbum “Golem” acaba por sair em 1974 pela editora Delta-Acustic, como parte das séries Artificial Head. As sonoridades revolvem em torno de paisagens abstractas, onde se inclui o tema de abertura “Helicopter”, e de canções de carisma surreal, das quais sublinhamos “May Rain”, posteriormente alvo de uma versão por parte dos Current 93. Após a separação definitiva em 1975, Hannes Vester prossegue a sua carreira musical gravando “Born to Dawn” com o projecto a solo Joahnnes Vester and His Vester Bester Tester Electric Folk Orchestra, Apesar de contar mais uma vez com o auxílio de Schulze, e do seu Artficial Head, as gravações não chegaram a ser editadas na altura. Teríamos que esperar 20 anos até que “Born to Dawn” visse nascer a luz do dia.

Esta oportunidade surgiu 1996 com uma reedição luxuosa pela World Serpent, que continha o primeiro e único disco dos Sand, algumas versões e excertos não utilizados nesse registo, bem como as referidas gravações do projecto solitário de Vester. Um disco verdadeiramente prodigioso, se me é permitida a expressão, para escutar activamente, sem distracções.

(Planeten Sessions)

Ludwig Papenberg (guitars, organ, electronic drums, backing vocals)
Ulrich Papenberg (bass guitar, percussion, backing vocals)
Johannes Vester (lead vocals, synthesizer)

1.Helicopter (13.42)
2.Old Loggerhead (8.21)
3.May Rain (4.29)
4.On The Corner (4.26)
5.Sarah 1 - Passacaille
Sarah 2 - Per Aspera Ad Astra (10.40)

http://www.megaupload.com/?d=IEJM6YNI

Jimi Hendrix & BB King - The King's Jam 1968

MAIS UM VENENO DA SÉRIE JIMI HENDRIX RARIDADE!! DESSA VEZ UMA JAM SESSION COM O MESTRE BLUESEIRO BB KING MAIS A PRESENÇA DE PAUL BUTTERFIELD BLUES BAND, ALL KOOPER E ELVIN BISHOP!! NÃO PRECISA NEM DIZER QUE SÃO LONGAS JAM SESSIONS DE BLUES!! BLUES, GUITAR E HARMÔNICA RODANDO A MIL!!



1. Like A Rolling Stone [Live]
2. Blues Jam No. 1, Part I [Live]
3. Blues Jam No. 1, Part II [Live]
4. Band Introductions... [Live]
5. Blues Jam No. 2, Part I [Live]
6. Blues Jam No. 2 Part II [Live]
7. Blues Jam No. 3 [Live]
8. It's My Own Fault [Live]

https://www.mediafire.com/?mdz93d3fzwab6hx

Jimi Hendrix & Traffic - A Session 1969

MAIS UM ALBUM DA SÉRIE JIMI HENDRIX RARIDADE!! ESSE DISCO FOI GRAVADO EM 1969 E LANÇADO APENAS EM 1990 E REUNE UM MATERIAL PRODUZIDO NUMA JAM SESSION COM JIMI HENDRIX E A BANDA TRAFFIC MAIS JOHN MAYALL (TUDO INDICA QUE SIM) !! O DISCO TEM APENAS TRÊS LONGAS FAIXAS ONDE MISTURA VÁRIOS ESTILOS EM QUE OS PARTICIPANTES MOSTRAM TODO SEU TALENTO COM IMPROVISAÇÕES LONGAS E VIAJANTES!! TRAFFIC E JIMI HENDRIX JUNTOS E AINDA MAIS NUMA JAM SESSION ONDE A LIBERDADE MUSICAL É QUE IMPERAVA SÓ PODIA DAR NUM DISCO NO MÍNIMO SINGULAR E CURIOSO!! OLHEM O TEMPO DAS FAIXAS E VEJAM QUE A VIAJEM É LONGA!!

OBS: OBSERVEM QUE NA CAPA LÁ NO FUNDO ESTÁ FIGURA DE JOHN MAYALL!! MAIS A DIREITA TEM ERIC BURDOM!! E A DIREITA, CONFORME MINHA PRIMEIRA IMPRESSÃO, TEM LEON LYONS DA BANDA TEN YEARS AFTER (ESSA PELO MENOS FOI A MINHA PRIMEIRA OPINIÃO AO VER A CAPA, MAS FUI CORRIGIDO PELO AMIGO E COLABORADOR RICARDO FERREIRA, AO QUAL AGRADELO MESMO A CONTRIBUIÇÃO, QUE RETIFICOU DIZENDO TRATAR-SE DE CARL WAYNE DA BANDA MOVIE!!) COMO O DISCO NÃO TEM HISTÓRIA NENHUMA EU ACREDITO QUE PELA CAPA TODAS ESSAS FIGURAS TAMBÉM PARTICIPARAM DESTA JAM SESSION!! EU TENHO A CONVICÇÃO QUE SIM, MAS NADA NA HISTÓRIA DO DISCO COMPROVA ISSO A NÃO SER A FOTO DA CAPA!!

1. Jam Thing 18:38
2. Guitar Thing 5:15
3. Session Thing 35:27

Jimi Hendrix & Curtis Knight - Get That Feeling 1965-1966

MAIS UM ALBUM RARO DE JIMI HENDRIX DESSA VEZ ACOMPANHADO PELO GRANDE CANTOR DE SOUL "CURTIS KNIGHT" ONDE ESCUTAMOS SOUL MUSIC DA MELHOR ESPÉCIE!! O VOCAL DE CURTIS É FORTE E PODEROSO E A GUITARRA DE JIMI HENDRIX DISPENSA APRESENTAÇÕES E ESTÁ EM MUITAS DAS FAIXAS!! NÃO SÓ A PRESENÇA DE HENDRIX DÁ FORÇA AO DISCO MAS SIM O SOM QUE PRA QUEM GOSTA DE UMA BOA SOUL MUSIC SESSENTISTA CERTAMENTE VAI GOSTAR!! SOUL DOS ANOS SESSENTA JÁ É LEGAL E COM HENDRIX NA GUITARRA É UM LUXO!!


Antes de Jimi Hendrix ir para Londres para se tornar uma estrela, ele tinha gravado algum material com journeyman cantor de soul Curtis Knight e assinou um contrato com o executivo Ed Chaplin. Quando Hendrix se tornou uma estrela internacional em 1967 foi lançado esse album que se não é um verdadeiro disco de Hendrix devido ao fato de que não são em todas as faixas que o cara trabalha na guitarra, ao menos trata-se de um bom registro da era Hendrix pré-estrelato.

Resumindo a história: durante 1964-66 Hendrix era um membro da banda de Curtis Knight. Ao mesmo tempo Knight era administrado por Ed Chaplin que posteriormente se interessou por Hendrix, assinando-lhe um contrato solo. Este contrato deu direitos a Chalpin a uma série de demonstrações e jam sessions de Knight e Hendrix. Quando Hendrix atingiu o estrelatro, Chaplin não perdeu tempo escavando essas fitas e ofereceu a Capitol Records e qualquer outro rótulo que estava disposto a pagar seu preço. O álbum não tem muita informação biográfica, mas a julgar pelo material e os desempenhos das oito faixas foram aparentemente retirados de uma série de sessões de 1965-1966.

Released in the wake of Hendrix's commercial breakthrough, Capitol marketing executives clearly knew what they were doing putting Hendrix image on the cover of 1967's "Get That Feeling". You have to wonder how many folks bought this album under the impression it was a true Hendix LP only to discover that they'd really bought a compilation of early Curtis Knight material with little or no Hendrix content. Like the old adage says, buyer beware ... In spite of the Hendrix cover photo this 1967 curiosity is really a Curtis Knight effort. Knight handles all of the vocals with Hendrix's participation limited to sideman though his playing is quite good on a couple of tracks. Produced by Chalpin, the album doesn't have much in the way of biographical information, but judging by the material, and performances the eight tracks were apparently drawn from a series of 1965-1966 Knight sessions. The sound quality isn't great (most of the collection has a distant and hollow sound), but it is better than lots of other stuff in Hendrix's extensive catalog. For his part Knight actually sounds pretty good working his way through a mix of R&B ('No Business'), soul ('Welcome Home') and rock ('Strange Things'). Giving credit where due, a couple of songs like 'How Would You Feel' and 'Hush Now' actually generate a bit of artistic heat with Hendrix clearly working to perfect some of his breakthrough moves. If the sound quality had been a little better, this would actually be one of Hendrix's better peripheral releases. Even with the limitations discussed, the set's worth hearing.

1.) How Would You Feel (Ed Curtis) - 3:11
2.) Simon Says (Ed Curtis) - 3:14
3.) Get That Feeling (Ed Curtis - Ed Gregory) - 10:02
4.) Hush Now (Ed Curtis) - 3:15
5.) Welcome Home (Ed Curtis) - 3:34
6.) Gotta Have a New Dress (Ed Curtis) - 3:03
7.) No Business (Ed Curtis) - 2:27
8.) Strange Things (Ed Curtis) - 2:56

terça-feira, 2 de março de 2010

Jimi Hendrix & The Isley Brothers - In the Beginnin 1964

UMA BELÍSSIMA RARIDADE DE JIMI HENDRIX!! AQUI O CARA TOCA JUNTO COM A BOA BANDA DE RYTHM & BLUES-SOUL "THE ISLEY BROTHERS"!! NA VERDADE SÃO AS PRIMEIRAS GRAVAÇÕES DA BANDA E QUE GANHOU NOTORIEDADE PORQUE NA ÉPOCA UM TAL DE JIMI HENDRIX QUE ERA METIDO A GUITARRISTA COMANDA OS ACORDES NO DISCO!! AÍ JÁ SE PODIA NOTAR OS ACORDES DE HENDRIX!! É COMO UM DNA DO QUE VIRIA A ACONTECER!! É RYTHM & BLUES COM SOUL DA MELHOR SAFRA QUE A ÉPOCA OFERECIA!! PRA MIM O DESTAQUE FICA POR CONTA DA MUSICA "WHO'S THAT LADY" QUE AQUI TÁ NA VERSÃO ORIGINAL!! EU PESSOALMENTE SÓ CONHECIA A VERSÃO MAIS POP FEITA NOS ANOS 70!! VALE A PENA CONHECER OS PRIMEIROS ACORDES DE HENDRIX JUNTO COM UMA DAS MELHORES BANDAS DE SOUL MUSIC DOS ANOS 60!!

01.Move Over And Let Me Dance - part 1
02.Have You Ever Be Disappointed - parts 1 & 2
03.Testify - parts 1 & 2 (alternate take)
04.Move Over And Let me Dance - part 2
05.Wild Little Tiger
06.The Last Girl
07.Simon Says
08.Looking For A Love
09.Testify - parts 1 & 2
10.Move Over And Let Me Dance
11.Have You Ever Be Disappointed
12.The Last Girl
13.Looking For A Love
14.My Little Girl
15.Open Up Her Eyes
16.Love Is A Wonderful Thing
17.Footprints In The Snow
18.Who's That Lady
19.The Basement
20.My Little Girl - alternate version

http://www.megaupload.com/?d=4U70C0K7

segunda-feira, 1 de março de 2010

Aum - Bluesvibes (1969 US Blues Rock Psych)

PRIMEIRO ALBUM DESSE ÓTIMO POWER TRIO FORMADO EM SAN FRANCISCO!! ESSE ALBUM DE ESTRÉIA É MUITO BOM E MELHOR QUE O SEGUNDO!! É UM VENENASSO BLUES COM PITADAS PSICODÉLICAS DA MELHOR SAFRA!! O VENENO JÁ COMEÇA LETAL NA PRIMEIRA FAIXA "TOBACCO ROAD"!! WAYNE CEBALLOS ERA "O CARA" DA BANDA!! VENENASSO ALTAMENTE RECOMENDADO!!

First album (1969) from this SF act who were a very popular act around the city's ballrooms in the late 60's.This album is a more bluesy affair than their second although still contains heavy psychedelic touches throughout. Fantastic Rick Griffin artwork adorns the sleeve.. Led by singer multi-instrumentalist Wayne Ceballos with drummer Larry Martin and bassist Ken Newell rounding out the trio the group's initial reputation stemmed from their jam-oriented concerts. As one would expect from the title the group's 1969's album found them working in a distinctively blues-vein. Reflecting the band's live act this Richard Gotthrer-produced debut features a series of seven extended jams (the shortest song clocking in at 4 minutes). Ceballos proved a decent singer injecting considerable energy into his performances and the band really soars in many occasions. Truly interesting.


Wayne Ceballos: Guitar, Harmonica, Keyboards, Vocals
Larry Martin: Drums, Vocals
Ken Newell: Bass, Vocals

01 - Tobacco Road - 6.56
02 - Mississippi Mud - 4.05
03 - Bay Bridge Blues - 5.45
04 - Chilli Woman - 4.38
05 - A Little Help From You - 6.55
06 - Movin Man - 7.50
07 - You Can't Hide - 7.26

NEW LINK OK

http://www.megaupload.com/?d=KL9QUJN5

Aum - Resurrection (1969 Psych Blues Hard Rock)

EXCELENTE BANDA DE SAN FRANCISCO QUE FAZIA UM SOM COM BASE NO BLUES!! ESSE É O SEGUNDO ALBUM DOS CARAS E É BEM MAIS PSICODÉLICO QUE O PRIMEIRO, QUE POR SUA VEZ É BEM MELHOR QUE ESSE!! RESURRECTION É UMA MISTURA DO PSICODELISMO, BLUES E HARD ROCK!!

Aum was a San Francisco-based blues-rock group that lasted from 1968 to 1970 and released two albums. San Francisco act who were a very popular around the city's ballrooms in the late 60's. This their second album is from 1969 and it's a really diverse affair with a mixture of hard rock and psychedelic numbers.


Wayne Ceballos (guitar, piano)
Kenneth Newell (bass)
Larry Martin (drums).

01 - God Is Back In Town - 5.24
02 - Resurrection - 5.26
03 - Only I Know - 3.57
04 - Bye Bye Baby - 3.44
05 - Today & Tomorrow - 7.30
06 - Little Brown Hen - 2.48
07 - AUM - 6.03
08 - Pachuko Boogie-Preserve You Mama - 1.15

http://www.megaupload.com/?d=J53FGBI0

Terje, Jesper & Joachim - Same (1970 Denmark Psych Hard Acid Rock)


ALTA RARIDADE!!
HIGH RARITY
OBSCURO POWER TRIO DINAMARQUES FORMADO EM 1968 E QUE FAZIA UM SOM QUE MISTURAVA PSICODELIA, ACID E HARD ROCK COM MUITA VITALIDADE E COMPETÊNCIA, TUDO SEMPRE COM UM PEZINHO LÁ NO BLUES!! ALTAMENTE RECOMENDADO PELO SOM E PELA RARIDADE!!

Rare power-trio from Denmark!! Psychedelic hard-rock, acid fuzz guitar in wild sound, some moments sounded like a proto-punk band!! Blues-oriented songs, like Bent Wind, Morgen, Charles, Blues Addicts and Blue Cheer!! Highly recommended!!

1.If I Needed Someone(3:16)
2.Ricochet(3:49)
3.We Got To Leave(4:20)
4.Like My Sister(6:02)
5.All Through The Day(2:27)
6.Free(5:58)
7.Between The Shields(3:53)
8.Cheer(3:25)
9.Sorry It's The End(4:33)
Jesper Schmidt/vocals,guitars,piano
Joachim Ussing/vocals,bass
Terje Bandholdt/drums

http://www.megaupload.com/?d=8C9AU9G6